Simon Gorlier was a French guitarist.  In 1551, Gorlier's renaissance guitar book, Le troysieme livre contenant plusiers duos, et trios… en tablature de guiterne was published in Paris as part of a series of guitar books (the other books in the series are by Guillaume Morlaye).  Le Troysieme Livre consists primarily of Gorlier's renaissance guitar settings of songs written by other composers, along with a few pieces that appear to be original compositions by Gorlier.  In 1558, Gorlier began printing music himself.  Gorlier's book uses French Tablature notation.

Cover page of Gorlier's Troysieme Livre (1551)

Pourquoy Font Bruit is a psalm arranged for renaissance guitar by Gorlier.  In Troysieme Livre, Gorlier does not provide information about the original composer of Pourquoy Font Bruit (he does credit other composers elsewhere in his book).  The original song appears to be based on the text by French poet Clement Marot (Psalm 2), which was set to music by Clement Janequin in 1549.  The song also appears in various settings by other composers.

Facsimile of Gorlier's Pourquoy font bruit from Troysieme Livre (1553).  The piece begins on the 3rd line of the 1st page (zoom in to read the title - and note the letters used in this book are disappointingly plain, compared to letters from some of the other guitar books and lute books).  Also note double bar lines (e.g. line 2 of the piece, on page 1).  These (or similar) double bar lines typically indicate a repeat in the mid-1500s renaissance guitar books.